Vera farmiga quotes

I was a Ukrainian folk dancer in my teens, and I toured the country in 1991, shortly before the break-up of the Soviet Union.

Faith is important to me.

It's true: I don't remember what life was like before parenthood.

There are some times when I think acting can be a noble profession. And when those rare roles come along, like Down to the Bone, you have the opportunity to be of service.

Chekhov, when it's done well and you're ready for it, can actually be quite funny.

I bet you could look at every single thing I've ever done and reduce it to that parenting schematic.

Music is what our feelings sound like.

In the quiet moments, the discoveries are made.

The fears and anxieties and obsessions wrapped up in being a parent.

Whether we call it religion or faith, we all battle for a balanced integrated soul.

The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'

I always thought Uncle Vanya could be a stoned masterpiece.

Esquire needs to be more like a mommy blog

Your soul either feels lifted by something that you read, or it feels squashed by it.

Doubt is the middle position between knowledge and ignorance. It encompasses cynicism but also genuine questioning.

I chase after inspiring stories.

I listened more than I asked. There's a lot of information online, so many Youtube videos, countless interviews with all those obvious questions that were all answered for me. I just wanted to absorb her essence. I wanted to see the details, she has such mad style. I just wanted to see - the way she communicates with her hands, these gestures, her smile, how she moves through space.

I'm a full-time mom. I've never felt as prepared, as before maternity.

The limelight is a tricky place, because you can't believe what's going on around you. You stop observing. You stop perceiving. You stop extending yourself, and you become isolated.

I'm thinking about anything and everything. I'm making stuff up in my head, I'm using sense memory. Sometimes when it doesn't come and you've got no choice because you're getting paid to do it, you grasp at straws. It's always easy now with my kids. I just create some "what-ifs" in my head, something horrible that would devastate me as a mother.

I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.

It's such a measure of your solidarity with Ed, that when you would give lectures, he would be wearing a tartan tie that matched. And I demanded that outfit, I thought it was so punk - her long skirt, she looked like a Scottish queen, so regal.

No role is more challenging, rewarding and inspiring than my real-life role as a mom and a wife.

I love Saturday nights with my best friend and a big bowl of pasta, wanting a good scare, something that will say, 'Listen, your life is not as bad as this. Your life can be so much worse'.

I love to be surprised.

I rely on my directors, a lot. I love being directed.

Honestly, I think a good film is spiritual, regardless of whether its subject is faith.

You know what's more difficult to do organically? Laughing. It's actually one of the hardest things to do on camera.

I have a two-year-old who just turned three, and my four-year-old just turned five. I have the same irrational feelings taking them to pre-school. It's this charged combination of stress and joy and anxiety and excitement. When they're away, you've got a sudden loss of purpose and this ever-present fear about the kid's welfare. The departure of our children from our nest is not an easy thing.

I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.

Sometimes music helps. If I feel that it's bogus, I'll literally just call myself out on camera and say that it's dishonest. You do whatever it takes.

I didn't grow up watching film but as a Ukrainian-American, music and stories and dance are crucial.

Yeah, I think it's like any God-given gift. You writers have the gift of perception. If you don't use it, you're going to lose it. And it's the same thing with you [Lorraine], it's God-given.

Esquire's all about mommy issues now. Breastfeeding, vaccinations, playdate etiquette.

It's thematic in my career, if you look at most of my choices. It is some level of exploration of maternal angst and maternal heroism.

Normally, I rely heavily on my director to massage me out of my actor comfort zones.

Not just as an actress, but on a human-being level, I've experienced frustration on many different levels. [With my] career, it would be more the frustration of not always finding challenging material or inspiring material ... [Acting is] therapeutic for me. I'm pretty accommodating.

I don't have a caustic sense of humor. What I find funny, that humor comes from a much gentler place.

When I look at female characters, I want to recognize myself in them - my trials, my tribulations as a mother, as a wife, as a lover, as a daughter.

I was very studious and square in college.

I have the best husband a wife could possibly have. He's the best father my children could have.

I've always believed that if you are precise in your thoughts, it's not the lines you say that are important - it's what exists between the lines. What I'm compelled by most is that transparency of thought, what is left unspoken.

Sometimes I attract roles that are necessary either for personal growth or enlightenment.

I cannot even imagine college. I'm white-knuckling it just letting my son go to kindergarten for eight hours a day.

The different tempos and yeah, it's cadence. It's the way she moves through space, it's gestures.

I'm hooked on Polanski's films, his psychological thrillers. I love 'Rosemary's Baby,' I love 'Repulsion.'

The writers could always do an about-face and change everything

You ought to have a perspective when you're making a film.

I can't get my knickers in a twist about my age and ageing in an industry that caters to the ids of 14-year-olds.

There's no wrong way to experience a film.

My husband is my best friend; he knows my sensibilities.

I have tender, romantic associations with upstate New York.

The experience of giving birth itself made me feel more womanly.

Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.

I’m someone who can sit in a Buddhist temple, and I can sit with Pentecostals or with Orthodox Jews, and I still feel like I am in tune with all of them.

I've done TV, but never where you're given this much time to live with a character, to study the tone and hone it and repair stuff, to go back and watch old episodes and go, "Oh no, that's a misstep. That's a victory. I should do more of that, less of that."

I have a lot of frustration with religion, organized religion, because it's man-made, because it's man-regulated. And it has nothing to do with my relationship with God.

The depth of exploration of the male psyche and the female psyche is uneven. I see further, deeper renderings of what it means to be a man.

I don't necessarily need Hollywood.

I'm pretty squeaky clean. No big tragedies in my childhood or adolescence or adulthood. I've had a very easygoing, simple life.

As an actor, you're sort of the court-appointed lawyer for the character.

Do I pray? Yes. Prayer is very important to me.

Just because I’m telling a story about a woman losing faith is not my rebellion against what I grew up in. If anything, it really affected the way I approached the story, and in fact, approach everything. I don’t judge my characters.

I just hate one-dimensional portrayals of religion; it's too cheap and easy to do, and ignores the nuances that go into having a belief system.

Someone once told me that religion is like a knife: You can stab someone with it, or you can slice bread with it.

I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.

I just can't feel lukewarm about a character. I either despise her, admire her, or don't understand her and want to understand her.

When you're breastfeeding a child, you don't have the same retention as you do when you're not.

Editing yourself is like an irksome coin toss. You've got to strip yourself of super ego and operate from the id. Maybe I've got my Freud mixed up. It's just hard to trade a beauty shot for the performance with truth and a brightly lit zit.

Do I observe holy days and holidays? Yeah, the ritual is very important to me. It's part of being Ukrainian Catholic. So every holy day we're baking pierogis and not eating meat.

I'm incredibly spiritual. There are like tens of thousands of denominations; I don't fit in any one of those denominations comfortably. But I have a very personal relationship with God.

I grew up in a Ukrainian Catholic-turned-Christian household, and that is my family's faith.

There really are three types of religious movies: the ones that make fun of it, the ones that vilify it and the ones that literally preach to the converted.

I grew up in a Christian home. The strictness comes with religion in general. Whether you grew up Jewish or Orthodox Jewish or Muslim, there are certain rules and regulations. But my parents instilled in me the importance of defining God for yourself.

Honesty is not synonymous with truth.

I think all religions can agree on certain definitions of God and concepts of God, like God being the god of love, the great 'I am' energy.

Editing is not a part of the filmmaking process I've ever been privy to as an actress.

I can't do Los Angeles. I've always been the anti-Barbie. I don't want to be in a place where almost every woman walks around with puffy lips, little noses and breasts large enough to nourish a small country.

We're all sick of holy wars and bloodshed because religion is supposed to give us life and a better life and is supposed to bring out our best self. When it results in mass destruction and hatred and anxiety, it's the antithesis I think of what religion was designed to do.

The nature of evil, the nature of it, it exists. It exists and I think within us we have the tools. If we have the will, we can combat it. I think the power is within us and it lies in our own conceptualization of God and positivity and compassion and love.

We take a lot for granted as second wave feminists, what our mothers and aunts did for us.

I come from a massive family, and the youngest is twentysomething years younger than I am, so I grew up with children.

Patrick sort of had a very pragmatic, practical, Ed-like approach and went down to see.

I just want to make sure that the thing that I see in it initially, that I think it can be, is not just going to be a horror film and reduced to a jump here and a scream there. But that you can take something away from it.

My personality is just innately even-keeled. I'm not such a huge daredevil. Which is not to say I'm not a passionate woman. I don't know, maybe it's my physiological makeup, but I don't like the feeling of anything in my system, other than a glass of wine now and then.

My father instilled in me - of utmost importance and innate in me is the yearning to determine for myself - to define God, to define holiness for myself.

Ruminants are a perfectly normal thing to possess when you live in upstate New York. It's just moving scenery. It's kind of like the equivalent of Great Danes. It's the way you keep your grass mowed. It's the way you keep your weed-whacking to a minimum.

There are women who make things better, there are women who change things, there are women who make things happen, who make a difference. I want to be one of those women.

It's terrifying to be the lead. There's a moment of excitement, and then pure terror.

To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.

It's a delicate thing for me, with how involved I am in social media and being a part of people's lives in a way that they want me to.

When you encounter sophistication in the creation of a female character, you thank the writers and you claim it.

Am I ambitious? I used to be afraid of that word but now I think ambition is a good thing.

I look for struggle in the roles I choose - struggle and perseverance.

In these times, in this harsh, rude, warring world that we live in, where most of the bloodshed is 'My god is greater than your god,' and we're fighting in the name of our god, we have to find a way to peaceably coexist, spiritually.

It's a very different thing, religion and faith. Religion is man-made, it's man-regulated. And faith, you can define God as you wish. But I think they're two different things.

I do love directing. I'm only comfortable working in the independent film arena for a very small budget where I have creative control and I can put my stamp on it.

I think the worst thing that can happen to a good actor is fame.

Whether youre making a million dollar film or a $100 million film there is never enough money, theres never enough time.

There's just a deeper level of sophistication in the writing of female characters on TV.

I, for one, am tired of seeing movies about men damaging each other.

I think God gave us senses of humor, and we should use them.

But I think for me, why I was drawn to the piece is, at the core of the story, it's a love story to me - between Ed and Lorraine, between these two families who are asking for help and us who are in the business of giving help.

I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.

Partying has never been my thing. I've been around some wild people. I've been in the same room and watched them experiment, and that's been entertaining.

I've played a lot of mothers in my movies.

I spent a lot of time reading blogs by mothers who had children with varying degrees of neural dysfunction, from schizophrenia to all sorts of different issues. And honestly, I don't think it's different for anybody. There's no right way to make sure your child will be emotionally and mentally healthier. It's just frustrating.

I am drawn to intimate, often uncomfortable portraits of a woman persevering and awakening.

I think that films about faith made for faith-based communities have a certain tactic.

I cherish each director that I have. I want to be maneuvered out of my comfort zones. I don't have the time to prepare.

You earn very little money on independent films and I'm the provider for my home, so I do have to think of taking one for the accountant time and again and that means studio pictures.

You dont have to be gay to be attracted to your friend.

You dont necessarily have to be religious to pray.

The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.