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Mike birbiglia insights

Explore a captivating collection of Mike birbiglia’s most profound quotes, reflecting his deep wisdom and unique perspective on life, science, and the universe. Each quote offers timeless inspiration and insight.

I almost can't even put to words how happy I am that I got married.

Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.

Alienation, I suppose, can't be hackneyed because it will always exist.

I have this habit of asking 'why do you want to do it?' and then interrupting them to say, 'here's why you want to do it.' Because it's in the 'yes...and' spirit [rule of improvisation].

I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.

I like films that are so funny, dramatic and lifelike simultaneously, that you are laughing and cringing simultaneously all throughout the film.

I can always go back to waiting tables, but I won't be very good at it. I'll never be good at it.

The key to eating healthy is not eating any food that has a TV commercial.

I feel like everyone wants to make a movie that they feel passionate about watching.

I'm a whitebread cracker. That's my favorite white person slur: "whitebread". The other day, someone came up to me and said, "What's up, whitebread?" And I was like, "That's not even an insult. That's just my race plus a food. I can do that, too, black bean soup! Stay out of this, Asian chicken platter!"

It had that kind of open-ended fear to it - like that feeling you get when you're driving and you see a cop. And you're not speeding. You don't have drugs. But you're just thinking, I hope he doesn't notice I'm driving.

What I really need is a woman who loves me for my money but doesn't understand math.

I will say what I aspire to is a consistency in making films, to direct something every couple of years.

I always try to attack the most honest issues I can in my comedy.

Eugene Mirman is the Andy Warhol of comedy. People look to him for what's next in comedy, and he emails these people back promptly. The Will to Whatevs put me in a great mood because I was laughing out loud. Alone. That's hard to do.

Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.

Falling in love is a completely transcendent experience. It's like eating pizza-flavored ice cream

I went to the doctor, and they found something in my bladder. And whenever they find something, it's never anything good like, "We found something in your bladder AND IT'S SEASON TICKETS TO THE YANKEES!!"

I was made to believe that my life was going to be fixed and it wasn't. I'm still the same loser who had flown to Los Angeles on my sister's frequent flier miles just six days before.

I feel like we can prove in real time the old trope that comedy is tragedy plus time.

I think serious situations actually make for the best kind of belly laughs. But theyre also the hardest to convert into comedy at the outset.

...And so we go and I meet his parents. And it's a very strange thing meeting your girlfriend's boyfriend's parents for the first time. Part of you is angry for obvious reasons and part of you still wants to make a good impression. On a side note, they seemed in perfect health.

Failure's hard. There's no way around. Bombing on stage never feels great. You feel judged, you feel alone. But then when your performance works, it's transcendent.

Does anyone know a word that rhymes with shark?

I think our culture views success as visibility, being seen as being successful. Whereas I've learned that success is rooted in helping and connecting to other people, and knowing where you can contribute. I've kind of spent my thirties doing that, because in my twenties I was seeking any kind of success.

I didn't realize how good I was with computers until I met my parents.

I struggled with that notion early in my career. 'I know this is funny but nobody is laughing.' This thought occurred for years.

Every comedian comes to a fork in the road where they have to decide if they're going to make jokes about other people or make jokes about themselves. I chose myself.

I read recently that women still make 30% less than men in the workplace. Which I think is fine, cause if we didn't make 30% more, you guys would marry each other.

I just don't give off a great first impression.

In our culture right now, I want to take on this notion of what a singular success means. We think success is one thing, but it's actually a spectrum of where our life takes us.

The people who are the worst at news, who kind of engage in what I call the World Wrestling of news, have kind of set the bar for where news is.

Comedy is tragedy plus time, but the time is different for everybody.

Success is fleeting. It may not have to do with you but how your work is received.

My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.

I'm a compulsive everything.

Dopamine is a chemical released in your brain and your body when you sleep that paralyzes your body so you don't act out your dreams.

You can express love by calling out the truth out of the situation as opposed to dancing around it.

I'm walking out my door to get like a Snapple, and someone's like 'yo man, you want to buy some heroin?' 'No... got any Snapple?'

You're always on duty because you're in a constant state of observation. That's one of the challenges of being a comedian. I think one of the other challenges is that, whether we like it or not, it's a profession that requires failure. It doesn't just encourage failure. It requires it because it's all trial and error. You need to know what doesn't work to know what works.

When I'm taking the subway to my improv shows I will be writing in my notebook different actions that I see people doing on the train whether it's eating yogurt or looking at where their stop is, or tripping or holding a baby. It's not preparing scenes and ideas as much as it is stoking your brain to think observantly. Just to place observations in your head, so that they are available somewhere.

In my twenties, I thought it was getting a sitcom. Then I got a sitcom pilot in my early thirties, and realized I didn't want it. It was a rude awakening. When it wasn't picked up, I was crushed, but then in retrospect I've made two films and produced three one-man shows since then. It's the luckiest thing that happened in my life.

There are so many people who are clever. There are 8000 people at Princeton who are more clever than the three of us at this table. BUT, we have the ability to give something that they don't have...which is us.

When I made 'Sleepwalk with Me,' many people asked me if was a novelty thing, a one-off. But this is the goal, I'm just hitting it 12 years after I thought I would.

I don't smoke a lot of pot anymore. No one wants to hang around a guy who ends every sentence with, "Do you guys hate me?"

My problem with being in New York City is that you really can't make a living as a comedian. You can, but you have to also take writing jobs, which means less stage time.

I find my fans are really funny people. Most comedians can't say that about their fans.

The one thing you're most reluctant to tell. That's where the comedy is.

I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.

Fortunately, I don't talk about politics on stage.

It was a hard name having growing up as a child. Some kids would call me names like "Birbiglebug" and "Birbibliography" and "Faggot". Some were more clever than others.

There is no such thing as #1 in art.

I didn't realize how good I was with technology until I met my parents... my dad told me "You're good; you should be a computer programmer." I said, "You're bad... you should be a caveman."

Our fear leads us to say no all the time.

The key is to do what you love.

Saturday night is perfect for writers because other people have "plans.

Essentially, retweets are like laughs.

I got an E-Trade account. Turns out I can turn $1,000 into $420 in less than a week. Sure, I had to pay some fees.

Awkwardness and feeling alienated are always going to be a part of comedy.

My family isn't really Italian. We're more like Olive Garden Italian.

I think spending a lot of time with my mom, who's a talker and a storyteller, and my dad, who has kind of a soft-spoken, understated sense of humor, I think that's how I became what I am, which is sort of an understated storyteller.

I never looked at my parents' marriage or really anyone who had been married more than 30 years and thought, 'I gotta get me some of that!'

Someone stole my wallet last week. The guy called me up and he was mad at me. He was like 'you gotta get your finances together. You got no cash, your credit cards are maxed out. You don't even have minutes on your calling card. I had to use my card to call you.'

I'm a big fan of pastries the size of a baby that contain enough calories for a year. That seems like an effective use of time.

Where art and business intersect is a challenging hurdle for a lot of people, reconciling the fact that not everyone is going to make it in the same way. Yeah, you have to be a little selfish, probably.

Art is socialism but life is capitalism.

I went to a funeral recently, and they handed out Kleenex before the funeral. Which I thought was cocky.

I was a screenwriting major in college, and really wanted to do that after I graduated, but there are no job listings for that, as we all know. I had many classmates that made it in the business, but stand-up comedy was my way in, and my first film 'Sleepwalk with Me' was based on those autobiographical experiences.

I couldn't recommend more that people put themselves in a situation where they can see a lot of work that they admire, and for free.

The ability to workshop in stand-up comedy is incomparable to any art form, in my opinion.

I think the cleverness is inadvertent.

I used to think I was a little unstable, and then I met every girl I've ever dated.

When I was a kid I would write songs, little plays, and poetry in school. If you're an adult and you're a poet, it's all about love and pain, but if you're a kid it's, "Does anyone know a word that rhymes with shark?"

I feel like people have more in common than the news reports.

To succeed in comedy you ultimately have to put in the hours and get lucky - The amount of people who are able to break through is so small a fraction of the amount of people trying.

I wrote on my desk wall when I was writing the film...'Art is socialism, but life is capitalism.' That's the hard thing in all of it if you expect to make a living.

Sometimes when I do a joke and it doesn't get a lot of laughs, it kind of feels like I'm doing jazz. That's kinda cool because jazz is cool, but sometimes jazz sucks ... Maybe I'm the Kenny G of comedy.

The list of fun and easily fixed brain diseases is very short.

Comedy unites, it doesn't divide!

I feel that marriage can lead to the ultimate rejection and failure and divorce and things we all fear.

My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.

I've read that Steven Wright's style was born out of genuine nervousness.

Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.

I actually love 'Saturday Night Live,' like a sports fan watches their favorite team to see how they're doing. I know the players and the writers, I've known several people on that show for a number of years.

I like 'Donnie Darko;' it's a cool take on dreams and sleep.

How many people do you know who have thrown up on the Scrambler or a carnival ride? A lot of people, is the answer.

You can always tell who went to catholic school, because they're atheists.

You need to know what doesn't work to know what works. It's especially true in improv and stand-up.

A girl offered me E at the club. 'Have you ever done E?' 'I watch E.'

You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.

All techniques of comedy are valid and interesting to me.

I performed for the U.S. troops in Guantanamo Bay. And signed autographs for people who've been gone from America for so long they didn't realize that I'm not famous.

I think the reason why I'm so alluring to networks is because on the surface I'm like a quintessential relatable, boring white guy. A great many sitcoms have been anchored by a boring white guy, so I feel like what they want to mine from me are my more generic qualities.

I was an altar boy as a kid. And the answer is no.

I thought, Hey, maybe these people shouldn't be making up holidays to drink more. Maybe if they drank less they might be able to title their newspaper articles more specifically. For example, I would title this last article "Drunk Driver Hits Drunk Walker Drunkety-Drunk I'm So Drunk."

I shouldn't say bad things about the illiterate, though..I should write it. That way they won't find out.

Sex and pizza, they say, are similar. When it's good, it's good. When it's bad, you get it on your shirt.

Some people come up to me and say "You know, in Italy, it's pronounced Ber-beel-lia" And I say "Well, here in America, you're annoying..."

I figured out in my thirties it was about 'what can I contribute'? And what I figured out about that is creating something from scratch, and connecting it to people.

So I went to a club the other day, which is timely because my self esteem had been hovering right around 'normal' and I had been meaning to knock it down to negative 1000.

I love Valentine's Day. When you're a kid everyone gets a Valentine. It's like 'TO TIM, NICE PANTS, LOVE SCOTT'. It's Valentines galore!

I feel like people have more in common than the news reports. People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain. I'd have to spend an hour on it to get people to understand what I'm saying because it's so instantly polarizing. Because cable news has kind of set up a construct where you're for or against something immediately. So if I said something about it, people would be for or against me immediately. And I don't want that.

I try to think up material that might apply to the subjects they are studying. How many mitochondria does it take to power a cell? One. Because mitochondria are the powerhouse of the cell. Not ready for prime time, that one.

I take the subway four times a day, or close to it. I just love the subway! My grandfather worked as an electrician when they were digging the subway.

My friends drink everywhere. They even drink at the laundromat. I tried drinking at the laundromat, and I thought I was in a submarine, navigating the Sea of White Panties with my Spanish-speaking crew. I was like, "Mrs. Sanchez, set the coordinates to Permanent Press! Give me some quarters and another drink! This place is starting to look like a laundromat."

Two Drink Mike enjoys dancing and knows a magic trick. Whereas, No Drink Mike enjoys biographies, and has serious opinions on wildlife. And Five Drink Mike... dances with wildlife.

I think sometimes you don't understand how to convey an idea, depending on the moment you're living in.

Bears are simultaneously so graceful and so strong. Bears know who they are, but they often don’t know who you are, which is why they kill you.

Creepy people do the things that decent people want to do, but have decided are not a great idea.

I drank the Kool-Aid of being a network star. Once it didn't happen, I realized it wasn't the best version of my comedy.

I've been selfish over the years, and other people who have made it have too, but I can only speak for myself.

They really cut to the chase in the urologist's examination room, and I tried to laugh. If this office were a movie, it would have been rated R.

When you're in a relationship with someone who's selfish, what keeps you in it is the fact that when they shine on you, it's this souped-up shine. And you feel like you're in the club. And you don't even know what club it is. You just know you want to stay in it.

Backup dancers are completely respectable. They're the studio musicians of dance.

I think Mitch Hedberg is one of the great comedians of the past 20 years.

Life is unfair and improv is a great metaphor of that.

When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.

I love pizza so much, I would marry pizza, but it would just be an elaborate ploy to eat her whole family at the reception.

What I write is emotionally honest and truthful as the human experience can be, to make people feel less alone, or at least that's the hope.

Sometimes, when you want to be in a place so badly, you'll do anything.

I don't drink a lot. My family calls me an old soul. And my friends call me a pussy.

People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain.

Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"