Kathleen hanna

I've always talked a lot on stage - I really wanted to communicate my ideas and when you're playing at a lot of shitty punk clubs they don't have good PAs and so no one knows what you're singing about.

What I've heard from younger women and women my age is that the albums changed their lives or it was the first time they had heard feminism that they could relate to. So that's great.

No one's female and male, we all have so many different traits. It's just a lie that these certain traits are male and these certain traits are female.

I'm not sure Riot Grrrl would have been as big a deal if the Internet had existed back then. Because there's so much stuff on the Internet. People could have been like, oh, whatever, I'm going to go look at pictures of Barbie vaginas, you know what I mean? There's so many different things on the Internet, you read one article and then you read something linked off that article and you go down the rabbit hole.

My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.

I felt like going out on the road and mixing it with music - which is something young people are always really interested in - would be a good way to proselytize. It was like feminist evangelism.

I do have personal relationships with a lot of "fans," in quotations. I answer all my mail, I get emails from fans, and I try to answer them all. That's important to me, but occasionally there's the thing where people basically ask me to write book reports for them, and I don't have that kind of time. I feel like there's a certain sexism involved, like because I'm a woman I'm supposed to constantly be like giving to everybody.

Find something that makes you happy, like looking at beautiful pictures, or, if you're able, listening to beautiful music, or sitting by the window and looking outside - small things like that can be absolutely huge.

Art revolves around creating something that isn't there.

The only thing I collect is art. I collect it because I like looking at it. A lot of it is really personal stuff that my friends have made, paintings that my husband's mother made, and things that I bought. I buy abstract art on eBay, and I buy some outsider art on eBay, or what is called folk art, I buy a lot of. I have a lot of professional art work as well as more stuff my friends' kids make. To have a wall of art to look at, I feel really surrounded by love, because so much of the work is related to my friendships.

When you're the person who's kind of in charge of everything a lot of the time, it's sometimes nice to get bossed around. It's sometimes nice to have somebody say, "This is what I want you to do" and to stretch your abilities.

For whatever reason I just remembered being six years old and my parents leaving the house and trusting me to be alone. I had an older sister, I think she was supposed to babysit me but she immediately ran across the street to her friend's house.

Don't get down on yourself that you can't run a 4K or dance all night long at a fun club. Give yourself a break.

I need to see my friends or I'm gonna go crazy. I'm not gonna stay home and work.

Feminism is something you do. It's a verb. It's what you are. It's an activity; it's something you're actively engaged in.

When you speak up about any sense of unfairness or injustice, you're told that you're overreacting, you're too angry, too silly-shut up already. It takes a tremendous amount of fortitude to be able to live in this world as a woman, let alone a woman who wants things to change.

Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.

I didn't go to high school, I didn't go to college, I didn't have women's studies. All of my feminist ideals and education have been built around art and my friends and community. And so it's still growing.

Internalized sexism that makes us feel like we can't show ourselves not being perfect.

People are actually having conversations about "Is this sexist?"

My political views have definitely changed over the years. Maybe a better way of saying it is that I have grown into my convictions; the values and ideas of radical feminism that I started to articulate in my late teens feel more internalized or "second nature."

Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'

Every time I get sexually harassed, I'm supposed to turn around and yell at the person, but there are safety issues. Sometimes the best thing you can do it just walk right past that person and have a great day. But sometimes you feel like you really need to say something.

Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.

Certain people are like 'Oh, here come the Feminazis!' You end up acting 10 times nicer than you even need to be, to be the opposite of the stereotype like 'You're the man haters!' We're always bending over backwards being extra nice. And I don't know if being nice is my legacy.

There's still a lot of misogynist pop music out there, and I think that hearing something that's so explicitly feminist and so angry - when we're still growing up in a culture where girls and women are not supposed to be angry - is a real revelation for young women.

I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.

Every band I've been in, it's just become my total life. I feel like a child star - I've missed out on so much.

Me and my friends in high school were the only girls who went to hardcore shows. It was three of us, and the rest of the audience was male. We didn't really think about it. We weren't thinking we were alienated or whatever, but eventually, as there started to be violence in the scene we were in during high school, we started to be turned off by the violence.

I almost wish we would've filmed a whole fake tampon commercial around ["I'm With Her"].

Since I loved underground music, I tried to carve a space for feminism within it. Those were my hopes.

I don't need to convince men that feminism is important, that just isn't a goal of mine. I can't even have that conversation of whether or not it's important, because if someone asks me that... I don't want to have a conversation with them until they grow up.

I stood in the bay window at our house and I sang Away In A Manger. It was my first time on stage, but there was nobody watching. I just remember it was so natural and it was such a secret - like masturbating. I felt like I had to wait until everybody was gone. So I guess six years old would be my most important age, 'cause in that moment, I just knew what I wanted to do.

Whatever your personality was before, an illness makes it that plus a thousand. I'm a very binary person in a bad way where it's like everything is either totally great or totally awful. I don't understand grey area that well, and I've been working at that.

I've always been like, "Look, you're going to die and it's not going to matter after you die that you got out onstage and bombed."

The exciting thing about getting a label together and doing press for it is that hopefully some 15-year-old girl who is the only feminist in her junior-high class will hear about it and be like, "Oh, cool, I hadn't heard of that, I'm going to check it out."

You guys are seriously missing out unless you all start listening to girls.

It takes your mind off things when there's a cat in your lip and he's purring while you're petting him.

When I get stressed out my de-stress default is - not cat videos - but I just watch his surrogates. They're so entertaining. It's like escapees from the Nordstrom cosmetics counter.

I really love that I'm giving myself the opportunity finally to not have the pressure of every single song you do having to be "political" or whatever. I'm just making what I wanna make.

I always get ‘What’s wrong?’ or ‘Lighten up.’ Half the time, when guys tell me to smile, I’m not even frowning, I’m thinking! Then I’m like, Oh! Some men don’t want women to think! Do they all have walkie-talkies? Are they all in this together? Like, ‘OK, she’s thinking, someone say something. She’s reading, go distract her.’ It starts feeling like that sometimes, doesn’t it?

I'm not going to sit around and be peace and love with somebody's boot on my neck.

I don't like every other musician's work. The same way that filmmakers don't like every other filmmakers' work. Just because I'm a feminist doesn't mean I'm gonna say that I like every other woman's work, or that I appreciate another statement that another woman publicly made.

I know what a good question would be for an actor. What's your least favorite thing that you've ever heard an actor say about acting? Or about being in a movie?

I always wanted to play music, but my family was more interested in handing me paints and markers. Art was always my favorite subject in school, and I can remember staying up all night drawing as a small child. My expression via art was extremely strong as I grew and hasn't stopped.

I have no clue. I just know I would want to play the least amount of shows that the most people would be able to come to.

I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.

Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects.

Just because I'm a woman doesn't mean I'm the same as every other female singer.

I search the phrase "Kellyanne Conway fails," and I'm just watching that Scottie [Nell Hughes] woman smirk all the time.

My mom and I had secret from my dad that we didn't think we were stupid, that we didn't think we needed feminism to be explained to us.

It feels amazing and beautiful that music can have such an importance on the way that people form social groups. Music can change people. People can change the world.

I made the decision that my contribution needed to be more musical than political. My music was enough, politically. Art matters. Art was enough. My music was enough to say what I had to say.

You have these Stepford wives who are negating other women. But that's their job. [Donald] Trump is the one who is to blame, no matter how much I enjoy watching his surrogates fail massively.

I was lucky enough to go to college for four years. At what was supposedly a hippie school with no tests and no grades, blah blah blah, I wasn't learning that. I was taking photography classes. That stuff just wasn't talked about. It was like, "Does this picture have the right about of grey in it?" It wasn't even an art school. It was a state-run school.

I'm so language-based and I'm so about communicating, and my art has always been very audience-based, and very about being functional and communicating something, and about feeling like I have to be heard.

I don't appreciate it when women - or men - bandy about these stupid stereotypes about feminism that are age-old, and that are meant to keep people turned off from it. It's like, "All you have to do is Wikipedia feminism to know that it's not about man-hating - so shut up." That makes me annoyed.

My mom wasn't, like, she was reading all these historical romance novels the majority of the time. She read a feminist book and then my dad would sit down and explain it to her like she was an idiot.

I'm really going off of watching John Waters speak one time and I remember he just kind of talked and it was totally interesting. I wanted to hear about his life and how he got started and when did he think he made it, stupid stuff like that. And what his relationship with the mainstream is because he's so far out there, but then he became part of the mainstream in this weird way. He was really funny, though. Yeah, I have to work on my jokes.

It takes falling down a bunch of times before you start running.

My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.

The cool thing about the Internet is that it's allowing women more access to their own history.

There are people who view their feminism in different ways. I used to beat myself up if I didn't react to things like I was supposed to.

I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.

People can be in a prison of their own mind. [There are] people who don't have their hearts open to other people's ideas, and can't listen to other people's ideas without feeling like they're being slapped in the face. Those people are more in a prison.

In the '90s, people wore scrunchies, but it was very uncool in the punk scene.

The idea that musicians/artists have a responsibility to be community leaders or "role models" is problematic to me because I really believe that some of the most exciting art is not community-minded at least in any obvious or direct way, which is not to say that it is not ethical or consciousness-changing.

We support Hillary [Clinton]. We're saying that strongly. "I'm with her," I don't think that we can be any less strident. She's the best person for the job.

I watch videos on YouTube of bands that I've heard of that I want to check out. And sometimes I don't even finish the video. And that's really sad, because maybe I'd like that song. I think that we don't give stuff a chance to really sink in.

Every day it gets worse and worse and worse. We just want to get everyone to vote and be a part of the noise. I can't do phone banks because I have to save my voice for stage, so the least I can do is a song.

I think the [fan] access is complicated, because it brings wonderful things into my life, and it brings really negative things into my life. I just try to keep the negative stuff at arm's length. Laugh at it and walk away.

I'm more interested in a feminism that ends discrimination for all people. It's not just about a woman becoming the CEO of a company or something. It's connected to racism and classism and gender issues that go beyond the binary.

I was like, "Oh my god, I hope you're secretly grossed out about everything that [Donald] Trump has been doing." But why is it such a shock to anybody? He's said so many things that show who he is and how ignorant he is from the beginning.

Feminism rotates between backlash and interest. And the cool thing about the Internet is that it's allowing women more access to their own history. Part of the problem before the Internet was that we didn't know which books to read. Someone had to tell you.

I like loud snare, and I like really treble-y guitars, and that's just never going to change.

I'm sure if you see things you wrote when you were 19, you cringe. I saw stuff like angry poetry that I wrote when I was mad at my father, or photos I took where I smeared period blood on myself. It's embarrassing.

Clearly, gay marriage is on the top of the agenda right now. It's pretty amazing, considering where stuff was at when I was in high-school, when there were no LGBT Gay-Straight Alliances or any of that stuff. Am I a huge Lady Gaga fan? No, but I think some of the stuff she does that helps LGBT kids is amazing. And it's great that that's mainstream. It's fantastic that there's a pop star who's willing to put herself out in that way.

I hate the attitude of, 'oh we already have a Lydia Lunch, so we do we need a Bikini Kill.' Well, there's like 2 hundered million all-male bands writting 'baby baby I love you, let me drag you around on my ankle.' Is that enough already? Duh!

I do sometimes think what outfit will make me happy. It's one of those self-care things. If I don't have time to do yoga in the morning, then I have a certain sweater/shirt combination that makes me feel put together.

I think this whole Billy Bush thing just pushed women over the edge because it's so visceral.

Music is an extremely powerful art medium that can really affect people's emotions. It is amazing to realize how much communities can be born from different kinds of music and the people who appreciate them.

Every band I've been in, it's just become my total life. I feel like a child star - I've missed out on so much. I never got to play Grand Theft Auto and get stoned every day. I figure at 45 I should probably start doing that.

You learn that the only way to get rock-star power as a girl is to be a groupie and bare your breasts and get chosen for the night. We learn that the only way to get anywhere is through men. And it's a lie.

My mom was a housewife, and wasn't somebody that people would think of as a feminist, and when Ms. Magazine came out we were incredibly inspired by it. I used to cut pictures out of it and make posters that said, "Girls can do anything", and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Soidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever.

Obviously, we're really upset about the state of the election. It's horrifying, as everybody knows, that we could have a totally fascist president.

What usually happens with me is that I start with one idea in mind and then something else happens.

I am not Lyme disease, that's not who I am, I'm still a feminist artist, but this is a part of my story too, and I'm not going to keep it out to look cooler.

Taking care of yourself is the most important thing.

I always tell girls who say they want to start a band but don't have any talent, well, neither do I. I mean, I can carry a tune, but anyone who picks up a bass can figure it out. You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything- You sit there and do it every day, and eventually you get good at it.

I feel like that when I read certain feminist blogs or feminist magazines, where it's not even so much we've gone backwards, it's that I'm bored. Or it's like, oh wow, kids today are still dealing with the same exact issues.

I know that's really horrible, but that's how I do it in my head. I'm going to die. It doesn't matter. I don't matter. I'm a grain of sand. As a grain of sand, I may as well go out and relate to people and enjoy my short time on this planet that I have. Who knows what's coming next?

I think that feminism is in cycle. Feminism rotates between backlash and interest.

Think of something that you can do as opposed to all the things you can't do - and do that.

Jason Mraz, and the new James Blunt song is the worst thing that has ever been created on the face of the earth.

I'm just working and having a good time and seeing what develops, which is so awesome, because you don't know what's going to happen, and I'm letting myself do that a lot more than I ever have.

I kind of decided that doing music is enough because I'm already running a couple small businesses. I'm a part of Bikini Kill Records, Le Tigre Records, and Digitally Ruined Records. In dealing with my health and everything, my ability to do that? I wouldn't be good at it.

While sexism hurts women most intimately, it also damages men severely.

Sexism and racism and homophobia and classism are so naturalized. All these stereotypes make people think it's just normal that straight white men are getting all the breaks.

One of the reasons I went back to music even though I was extremely ill was because I started to forget who I was aside from being sick. And when I'm performing, or even lecturing, it's like I'm myself again, and that was a really amazing discovery - that, all of a sudden, I have a get-out-of-jail-free card.

I think open adoption is a great idea, because it allows a relationship between the birth mother and her child so that the kid isn't like, "Where did I come from?" And to have it be like, "Look, you have a bunch of people who love you."

I'm a big proponent of open adoption, because it allows a relationship between the birth mother and her child so that the kid isn't like, "Where did I come from?" And to have it be like, "Look, you have a bunch of people who love you." Not just the parents who are raising you on a day-to-day basis, but also to have contact with your birth mother and hopefully your birth father. So that you can be like, "Oh, they love me too, and they love me so much that they knew they couldn't take care of me but they're still in my life to some extent."

I'm not a goddess, for crying out loud. I'm a regular person who took feminism - which I have a deep connection to - and mixed it with music, which I really love to do.

My original goal in the '90s, after I found feminism and I was the first generation in my family to go to college, was to spread this information that feminism was still very much alive, and that you can't believe the media telling you that it doesn't need to exist and that it doesn't exist.

What (some) bands do is go, 'It's not important that I'm a girl, it's just important that I want to rock.' And that's cool. But that's more of an assimilationist thing. It's like they just want to be allowed to join the world as it is; whereas I'm more into revolution and radicalism and changing the whole structure. What I'm into is making the world different for me to live in.

I feel so lucky that I met the love of my life. You know somebody's in it to win it when...you're having a seizure and they're holding you.

I would much rather be the obnoxious feminist girl than be complicit in my own dehumanization.

I am possibly thinking about doing an Internet show in the future that will highlight political organizations that I seek out to let people know about them, volunteer opportunities, and donation opportunities.

In 1985, I was living with my sister in Virginia, and since I was still in high school, I worked at McDonald's to save money to get an abortion. It sounds really terrible, but it was the best decision I ever made. It was the first time I took responsibility for my actions. I messed up, had sex without contraception, and got pregnant at 15.

I talked a lot early on in my career about intersectionality and how racism and classism and sexism and homophobia and capitalism are all connected with each other, and they're these crazy systems that are feeding on each other and are also damaging. I can't even go into the whole spectrum of it. But I feel like kids today are so much more savvy about that conversation. And I'm so thrilled when I get to meet younger people who are doing that so much better than I did.

I won't stop talking. I am a girl you have no control over. There is not a gag big enough to handle this mouth.

I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.

So many women have experienced horrific forms of male violence throughout their lives, and why isn't there a song about how you get depressed because of it? And you don't know what to do, and you don't know how to talk to your friends and how weird it is to be a feminist in that situation, where there's sort of the expectation that you're super-strong superwoman but you're just, like, eating pizza in your house avoiding talking about it.

I'm a very binary person in a bad way where it's like everything is either totally great or totally awful.

I feel like there's this weird thing that as a feminist band you get put in this role as ambassadors.

Women didn't want to be on the stage with other women because they didn't want their bodies to be compared. They didn't want another female act opening for them because of this weird competitive and tokenistic attitude.

I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.

My advice for someone who wants to be creative but has a chronic illness is to think of something that you can do as opposed to all the things you can't do - and do that. It's just like gardening: What can grow in this soil? There's some soil you can grow roses in and some soil you can only grow cactuses in, so if you can only grow cactuses, become the best cactus grower in the whole world. Taking care of yourself is the most important thing. Find something that makes you happy. Don't get down on yourself that you can't run a 4K or dance all night long at a fun club. Give yourself a break.

When you're a musician and you go out onstage, and you're someone who loves attention, you are going to become a role model to some extent.

I think that the Internet is really cool because a lot of young feminists don't feel like they have to reinvent the wheel.

Well, part of the thing is, like, what's the difference between censorship and social responsibility? I sometimes find that the whole censorship argument is used as a way for people to avoid the fact that they're like.

I am such a bossy producer and such a control freak that there's a part of me that really longs to be bossed around.

I feel like what I'm best at is being a musician and a performer. I want to use that to help people who are good at starting nonprofits.

I don't want to waste the precious moments I have, and I've felt that way since I was 17. I have to take risks because why else would you be alive? Put your pirate patch on and go on an adventure because you only have one life to live.

I don't think I've ever had a woman yell that at me, but women have yelled mean things at me as well.

I was never trying to be the voice for anybody else. I was just trying to sing about what I was going through, and was singing about those things specifically because I knew there was an audience not being served.

Author details

Kathleen Hanna: Biography and Life Work

Kathleen Hanna was a notable Musician. The story of Kathleen Hanna began on November 12, 1968 in Portland, Oregon, U.S..

Kathleen Hanna (born November 12, 1968) is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. She is the lead singer of feminist punk band Bikini Kill and fronts the electropunk band Le Tigre . She has also recorded as the Julie Ruin .

Legacy and Personal Influence

Personally, Kathleen Hanna was married to Adam Horovitz.

Philosophical Views and Reflections

Hanna soon moved to New York City, and with the addition of filmmaker Sadie Benning , they started another band called Le Tigre based upon a more electronic style of music, similar to the sampler-driven sound Hanna had begun to explore with Julie Ruin. (She later revealed to Bust magazine that she was "totally broke" at this time and ate oatmeal daily. ) Hanna refers to it as part of a "Punk Feminist Electronic genre". The band recorded for the Mr. Lady Records label, its first recording being an eponymous album which included the singles " Hot Topic " and "Deceptacon." Benning then left the band and was replaced by JD Samson for their second album, Feminist Sweepstakes .

Hanna suffered from Lyme disease for six years before it was correctly diagnosed. The disease forced her to enter a three-month course of treatment in 2014. In 2013 in Bust magazine she revealed that Horovitz "took care of me throughout the whole thing." By June 2015, she described herself as in remission.

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