Katherine anne porter

They had both noticed that a life of dissipation sometimes gave to a face the look of gaunt suffering spirituality that a life of asceticism was supposed to give and quite often did not.

But the great leveler, Death: not even the gods can defend a man, not even one they love, that day when fate takes hold and lays him out at last.

I was right not to be afraid of any thief but myself, who will end by leaving me nothing.

I shall try to tell the truth, but the result will be fiction.

Defeat in this world is no disgrace and that is what they cannot understand. If you really fought well and fought for the right thing.

I want to live in a world capital or the howling wilderness.

I have not much interest in anyone's personal history after the tenth year, not even my own. Whatever one was going to be was all prepared before that.

One of the marks of a gift is to have the courage of it.

Civilization, let me tell you what it is. First the soldier, then the merchant, then the priest, then the lawyer. The merchant hires the soldier and priest to conquer the country for him. First the soldier, he is a murderer; then the priest, he is a liar; then the merchant, he is a thief; and they all bring in the lawyer to make their laws and defend their deeds, and there you have your civilization!

You shouldn't side-step suffering if you have to go through it to get where you're going.

It's a man's world, and you men can have it.

Life comes first, an art not rooted in human experience is not worth a damn, but different kinds of minds have different kinds of experience, and all I ask of any man is validity; and there should be place for every type and kind of mind.

I can pray better when I'm comfortable.

advance money is really a delusion, that is to say, I get no more until it is paid out in sales, but still, living from hand to mouth and day to day as I do, a nickel in the hand is more useful than the same nickel next year. What do I know about next year? I've never been there. I don't know any one who has.

A novel is really like a symphony where instrument after instrument has to come in at its own time, and no other.

Now and again thousands of memories converge, harmonize, arrange themselves around a central idea in a coherent form, and I write a story.

Love must be learned again and again... Hate needs no instruction, but waits only to be provoked.

Education must be taken out of the hands of rich illiterates, third rate politicians, and put where it belongs: in the care of scholars. At present the whole University system is rotten to the core, and an appalling waste of time, energy and money.

We have the bad habit, some of us, of looking back to a time - almost any time will do - when society was stable and orderly, family ties stronger and deeper, love more lasting and faithful, and so on. Let me be your Cassandra prophesying after the fact, and a long study of the documents in the case: it was never true, that is, no truer than it is now.

The thing is not to follow a pattern. Follow your own pattern of feeling and thought. The thing is to accept your own life and not try to live someone else's life. Look, the thumbprint is not like any other, and the thumbprint is what you must go by.

I always write a story in one sitting.

I am in Paris. Yes ma'am , I made it back. I came up from Berlin, stopped here ten days, fought a losing battle against my deepest inclinations, pulled myself out by the hair and went to Madrid...Madrid is a lovely enchanting city, and there was almost ready for me a kind of penthouse full of sunlight, a roof garden, and so on. I gave one look at it all, returned to the hotel and went to bed and wept bitterly for eleven hours...Why? Because I had seen Paris and could not endure the thought of being anywhere else.

It is as hard to find a neutral critic as it is a neutral country in time of war. I suppose if a critic were neutral, he wouldn't trouble to write anything.

I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, `I'm going to have the flowering judas tree stand for betrayal,' but of course it does.

If I didn't know the ending of a story, I wouldn't begin. I always write my last lines, my last paragraph first, and then I go back and work towards it. I know where I'm going. I know what my goal is. And how I get there is God's grace.

If we say I love you, it may be received with doubt, for there are times when it is hard to believe. Say I hate you, and the one spoken to believes it instantly, once for all. ... Love must be learned, and learned again and again; there is no end to it. Hate needs no instruction, but waits only to be provoked.

In this moment she felt that she had been robbed of an enormous number of valuable things, whether material or intangible: things lost or broken by her own fault, things she had forgotten and left in houses when she moved: books borrowed from her and not returned, journeys she had planned and had not made, words she had waited to hear spoken to her and had not heard, and the words she meant to answer with. . . .

God does not know whether a skin is black or white, He sees only souls.

One little human truth is that opinionated people don't hold much with other people's opinions, and it is a great pleasure to some of them to be able to ascribe incurable defects, such as belonging to a certain sex; or base motives, or lack of understanding, to anyone whose views they disagree with.

But my belief is growing that our political and social evils are remediable, if only all of us who want a change for the better just get up and work for it, all the time, with as much knowledge and intelligence as we can muster for it. Half the wrongs of human life exist because of the inertia of people who simply will not use their energies in fighting for what they believe in. And finally the wrongs roll up into world catastrophes and millions of deaths and a terrible set-back for all mankind.

Even St. Teresa said, "I can pray better when I'm comfortable," and she refused to wear her haircloth shirt or starve herself. I don't think living in cellars and starving is better for an artist than it is for anybody else.

You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence.

I will never again attempt to tell any young person what to do - the really gifted don't need advice and the others can't take it.

There have been many times when I have been so entirely sickened of life it was very hard to work to keep on, a half dozen times I have been tempted to suicide, but I am glad I did not give way, for I have always felt that the last half of my life would somehow atone for the first half, and I still think it may ... It is not possible to live in this world without suffering unless one is a born stone. But it is also possible to have a great deal of happiness in spite of the suffering.

Physical infidelity is the signal, the notice given, that all fidelities are undermined.

Death is loneliness in its purest form.

I started out with nothing in the world but a kind of passion, a driving desire. I don't know where it came from, and I don't know why - or why I have been so stubborn about it that nothing could deflect me. But this thing between me and my writing is the strongest bond I have ever had - stronger than any bond or any engagement with any human being or with any other work I've ever done.

I want to go and see the world. I want to know the world like the palm of my hand.

There seems to be a kind of order in the universe…in the movement of the stars and the turning of the Earth and the changing of the seasons. But human life is almost pure chaos. Everyone takes his stance, asserts his own right and feelings, mistaking the motives of others, and his own.

The human heart is not yet so corroded that it can read off the extinction of these two men without a shock to the very roots of its belief in justice and humanity.

And yet, we know how fatal the pursuit of liveliness may be: it may result in ... tiresome acrobatics. ... Flashy effects distract the mind. They destroy their persuasiveness; you would not believe a man was very intent on ploughing a furrow if he carried a hoop with him and jumped through it at every other step. ... When virtuosity gets the upper hand of your theme, or is better than your idea, it is time to quit.

Nothing is mine, I have only nothing but it is enough, it is beautiful and it is all mine. Do I even walk about in my own skin or is it something I have borrowed to spare my modesty?

I think I've only spent about ten percent of my energies on writing. The other ninety percent went to keeping my head above water.

There is no such thing as an exact synonym and no such thing as an unmixed motive.

No man can be explained by his personal history, least of all a poet.

We are born knowing death.

With the most infinite tenderness I have ever known in my life, he put his arms around me, gently, gently, and I embraced him around the neck, and we touched.

Mexican writer and diplomat, "Pasado en claro" ("A Draft of Shadows") You learn something the day you die. You learn how to die.

In the arts, you simply cannot secure your bread and your freedom of action too. You cannot be a hostile critic of society and expect society to feed you regularly.

who wants to read about success? It is the early struggle which makes a good story.

I think joy is just as instructive as pain, and I like it better. I never meant to suffer any more than I could help; my nature was meant for happiness, a daylight art and living.

we do know now, all of us, that the most appalling cruelties are committed by apparently virtuous governments in expectation of a great good to come, never learning that the evil done now is the sure destroyer of the expected good.

If you are required to kill someone today, on the promise of a political leader that someone else shall live in peace tomorrow, believe me, you are not only a double murderer, you are a suicide, too.

Your mind outwears all sorts of things you may set your heart upon; you can enjoy it when all other things are taken away.

Freedom, remember, is not the same as liberty.

Two-thirds of my energies go in trying to save one-third for work.

Grant that the idea of God is the most splendid single act of the creative human imagination, and that all his multiple faces and attributes correspond to some need and satisfy some deep desire in mankind; still, for the Inquirers, it is impossible not to conclude that this mystical concept has been harnessed rudely to machinery of the most mundane sort, and has been made to serve the ends of an organization which, ruling under divine guidance, has ruled very little better, and in some respects, worse, than certain rather mediocre but frankly manmade systems of government.

Childhood is the fiery furnace in which we are melted down to essentials and that essential shaped for good.

All life worth living is difficult, nobody promised us happiness; it is not a commodity you have earned, or shall ever earn. It is a by-product of brave living, and it never comes in the form we expect, or at the season we hoped for, or as the result of our planning for it.

Most people won't realise that writing is a craft. You have to take your apprenticeship in it like anything else.

Could she fall so low? No, there were limits, and she believed she still knew where some of them were.

I have no patience with this dreadful idea that whatever you have in you has to come out, that you can't suppress true talent. People can be destroyed; they can be bent, distorted, and completely crippled. In spite of all the poetry, all the philosophy to the contrary, we are not really masters of our fate.

Perhaps the habit which distinguishes civilized people from others is that of discussion, exchange of opinion and ideas, the ability to differ without quarrelling, to say what you have to say civilly and then to listen civilly to another speaker.

I love to praise what I love, and I won't for a minute believe that love is blind -- indeed, it gives clearness without sharpness, and surely that is the best light in which to look at anything.

Human life itself may be almost pure chaos, but the work of the artist is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning.

There are so many things that we are capable of, that we could be or do. The potentialities are so great that we never, any of us, are more than one-fourth fulfilled.

Every young artist has to do it one way, his [or her] way, and the hell with patterns. Remember who you are and where you are and what you are doing.... And never take advice, including this.

I work whenever I'm let.

I'm not afraid of life and I'm not afraid of death: Dying's the bore.

Miracles are instantaneous, they cannot be summoned, but come of themselves, usually at unlikely moments and to those who least expect them.

Writing does not exclude the full life; it demands it.

Religion put claws on Aunt Sally and gave her a post to whet them on.

A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.

Lovemaking surely must be, for human beings at our present state of development, one of the more private enterprises. Who would want a witness to that entire self-abandonment and helplessness?

First impressions are often signals from the deep that we should credit oftener than we do.

The arts do live continuously, and they live literally by faith; their names and their shapes and their uses and their basic meanings survive unchanged in all that matters through times of interruption, diminishment, neglect; they outlive governments and creeds and the societies, even the very civilization that produced them. They cannot be destroyed altogether because they represent the substance of faith and the only reality. They are what we find again when the ruins are cleared away.

we know that the Furies do not come uninvited.

Life is a game of piquet played in a bramble bush in very bad weather.

Don't you love being alive?" asked Miranda. "Don't you love weather and the colors at different times of the day, and all the sounds and noises like children screaming in the next lot, and automobile horns and little bands playing in the street and the smell of food cooking?" "I love to swim, too." said Adam. "So do I," said Miranda, "we never did swim together.

The real sin against life is to abuse and destroy beauty, even one's own even more, one's own, for that has been put in our care and we are responsible for its well-being.

You do not create a style. You work, and develop yourself; your style is an emanation from your own being.

I get so tired of moral bookkeeping.

All the old houses that I knew when I was a child were full of books, bought generation after generation by members of the family. Nobody told you to read this or not to read that.

Love must be learned and learned again; There is no end.

Love is purely a creation of the human imagination, it is merely perhaps the most important of all the examples of how the imagination continually outruns the creature it inhabits.

What we need now is endless courage.

We pity people too often for the wrong reasons.

You are right, none of us live enough, and sometimes I think it is because we mistake hurrah and hullabaloo for experience, we get a sock in the eye and think it is a broken heart.

Be bold, and try not to fall in love with your faults. Don't be so afraid of giving yourself away, either, for if yo write, you must. And if you can't face that, better not write.

The very thing about people that makes the human race interesting is also the thing that makes it so hard to get anything done without the most horrible confusions: no two people think exactly the same way about anything.

It is my firm belief that all our lives we are preparing to be somebody or something, even if we don't do it consciously. And the time comes one morning when you wake up and find that you have become irrevocably what you were preparing all this time to be.

Art is a vocation, as much as anything in this world. For the real artist, it is the most natural thing in the world, not as necessary as air and water, perhaps, but as food and water. But we really do lead almost a monastic life, you know; to follow it you very often have to give up something.

Evil is dull, that is the worst of it.

words can never get at the truth.

. . . all that she had had, and all that she had missed, were lost together, and were twice lost in this landslide of remembered losses.

There are only a few bits of absolute knowledge in the world, people can learn only one or two fundamental facts about each other, the rest is decoration and prejudice.

Each generation must get on the same old merry-go-round, only disguised in a fresh coat of paint.

I specialize in what the French call la petite histoire. I am interested in the individual thumbprint.

The nose is surely one of the most impressionable, if not positively erotic, of all our unruly members.

I always knew one thing, that life is made bearable and possible and liveable by the relations of one human being to another, the individual love and gentleness between persons, or in any case, the unbreakable bond that grows and fastens lives together in all sorts of mysterious ways.

The real sin against life is to abuse and destroy beauty, even one's own.

We have this mistaken notion that everybody in the world has to go to college. The colleges are already crowded with people who never in this world will absorb more than a rudimentary education, and we dilute everything to meet this low standard.

You waste life when you waste good food.

Freedom is a dangerous intoxicant and very few people can tolerate it in any quantity.

I look upon literature as an art, and I believe that if you misuse it or abuse it, it will leave you. It is not a thing that you can nail down and use as you want. You have to let it use you, too.

I was always restless, always a roving spirit. When I was a little child I was always running away. I never got very far, but they were always having to come and fetch me. Once when I was about six, my father came to get me somewhere I'd gone, and he told me later he'd asked me, "Why are you so restless? Why can't you stay here with us?" and I said to him, "I want to go and see the world. I want to know the world like the palm of my hand.

We do not run from the troubles and dangers that are truly ours, and it is better to learn what they are earlier than later, and if we don't run from the others, we are fools.

What we need is endless courage.

Death cancels our engagements, but it does not affect the consequences of our acts in life.

[On Gertrude Stein's Making of Americans:] I doubt if all the people who should read it will read it for a great while yet, for it is in such a limited edition, and reading it is anyhow a sort of permanent occupation.

The greatest art comes out of warmth and conviction and deep feeling, but then, very few people, even geniuses, have all that.

Death always leaves one singer to mourn.

There has been a marvelous joyous carnival of mourning for Edith Piaf and Jean Coctaeau, and it was real! They died as they had lived, with style and grace and their proper eccentricity; and Paris loves anybody who can live anarchically and be delightful entertainment at the same time. So do I.

Those who give the orders are not the ones to die The people who are doing the work and the fighting and the dying, and those who are doing the talking, are not all the same people.

All working, practical political systems, even those professing to originate in moral grandeur, are based upon and operate by contempt of human life and the individual fate.

A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself -- or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind. You do not create a style. You work, and develop yourself; your style is an emanation from your own being.

Marriage is a public declaration of a man and a woman that they have formed a secret alliance, with the intention to belong to, and share with each other, a mystical estate; mystical exactly in the sense that the real experience cannot be communicated to others, nor explained even to oneself on rational grounds.

The past is never where you think you left it.

[Marriage] is the merciless revealer, the great white searchlight turned on the darkest places of human nature.

It is such a relief to be told the truth.

Trust your happiness and the richness of your life at this moment. It is as true and as much yours as anything else that ever happened to you.

Adventure is something you seek for pleasure, or even for profit, like a gold rush or invading a country;...but experience is what really happens to you in the long run; the truth that finally overtakes you.

I've been called a stylist until I really could tear my hair out. And I simply don't believe in style. The style is you.

I do not understand the world, but I watch it's progress.

Be respectful of words. They mean something.

Author details

Katherine Anne Porter: Biography and Life Work

Katherine Anne Porter was a notable Journalist. The story of Katherine Anne Porter began on May 15, 1890 in Indian Creek, Texas, U.S.. The legacy of Katherine Anne Porter continues today, following their passing on September 18, 1980 in Silver Spring, Maryland, U.S..

Katherine Anne Porter (May 15, 1890 – September 18, 1980) was an American journalist, essayist, short story writer, novelist, poet, and political activist. Her 1962 novel Ship of Fools was the best-selling novel in the United States that year, but her short stories received much more critical acclaim. In 1966, she was awarded the Pulitzer Prize for Fiction and the U.S. National Book Award for The Collected Stories of Katherine Anne Porter .

Legacy and Personal Influence

Personally, Katherine Anne Porter was married to John Koontz (divorced), Ernest Stock (divorced), Eugene Pressly (divorced), Albert Erskine (divorced).

Philosophical Views and Reflections

During the 1930s, 1940s and 1950s, Porter enjoyed a reputation as one of America's most distinguished writers, but her limited output and equally limited sales had her living on grants and advances for most of the era.

Porter had a severe stroke in 1977. After being examined by psychiatrists, she was deemed incompetent , and the court appointed her nephew Paul Porter as her guardian. Porter died in Silver Spring, Maryland , on September 18, 1980, at the age of 90, and her ashes were buried next to her mother at Indian Creek Cemetery in Texas. In 1990, Recorded Texas Historic Landmark number 2905 was placed in Brown County, Texas, to honor Porter's life and career.

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