Jean rhys

All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.

I didn't know, I didn't know, I didn't know.

I took the red dress down and put it against myself. 'Does it make me look intemperate and unchaste?' I said.

There is no doubt that running away on a fresh, blue morning can be exhilarating.

When you are a child you are yourself and you know and see everything prophetically. And then suddenly something happens and you stop being yourself; you become what others force you to be. You lose your wisdom and your soul.

All of a writer that matters is in the book or books. It is idiotic to be curious about the person.

before I could read, almost a baby, I imagined that God, this strange thing or person I heard about, was a book.

She could give herself up to the written word as naturally as a good dancer to music or a fine swimmer to water. The only difficulty was that after finishing the last sentence she was left with a feeling at once hollow and uncomfortably full. Exactly like indigestion.

But they never last, the golden days. And it can be sad, the sun in the afternoon, can't it? Yes, it can be sad, the afternoon sun, sad and frightening.

You imagine the carefully pruned, shaped thing that is presented to you is truth. That is just what it isn't. The truth is improbable, the truth is fantastic; it's in what you think is a distorting mirror that you see the truth.

The feeling of Sunday is the same everywhere, heavy, melancholy, standing still.

I must write. If I stop writing my life will have been an abject failure. It is that already to other people. But it could be an abject failure to myself. I will not have earned death.

I sit at my window and the words fly past me like birds — with God's help I catch some.

It is strange how sad it can be - sunlight in the afternoon, don't you think?

Not that she objected to solitude. Quite the contrary. She had books, thank Heaven, quantities of books. All sorts of books.

After all this, what happened? What happened was that, as soon as I had the slightest chance of a place to hide in, I crept into it and hid. Well, sometimes it's a fine day isn't it? Sometimes the skies are blue. Sometimes the air is light, easy to breathe. And there is always tomorrow.

Next week, or next month, or next year I will kill myself. But I might as well last out my month's rent, which has been paid up.

And what does anyone know about traitors, or why Judas did what he did?

The woman had a humble, cringing manner. Of course, she had discovered that, having neither money nor virtue, she had better be humble if she knew what was good for her.

I've been so ridiculous all my life that a little bit more or a little bit less hardly matters now.

Some must cry so that others may be able to laugh the more heartily. Sacrifices are necessary.

I have tried," I said, "but he does not believe me. It is too late for that now" (it is always too late for truth, I thought).

If I was bound for hell, let it be hell. No more false heaven. No more damned magic.

And I saw that all my life I had known that this was going to happen, and that I'd been afraid for a long time, I'd been afraid for a long time. There's fear, of course, with everybody. But now it had grown, it had grown gigantic; it filled me and it filled the whole world.

You can pretend for a long time, but one day it all falls away and you are alone. We are alone in the most beautiful place in the world.

Blot out the moon, Pull down the stars. Love in the dark, for we're for the dark So soon, so soon.

...I know all about myself now, I know. You've told me so often. You haven't left me one rag of illusion to clothe myself in.

She haunted him, as an ungenerous action haunts one.

My life, which seems so simple and monotonous, is really a complicated affair of cafés where they like me and cafés where they don't, streets that are friendly, streets that aren't, rooms where I might be happy, rooms where I shall never be, looking-glasses I look nice in, looking-glasses I don't, dresses that will be lucky, dresses that won't, and so on.

Every word I say has chains round its ankles; every thought I think is weighted with heavy weights. Since I was born, hasn't every word I've said, every thought I've thought, everything I've done, been tied up, weighted, chained? And mind you, I know that with all this I don't succeed. Or I succeed in flashes only too damned well. ...But think how hard I try and how seldom I dare. Think - and have a bit of pity. That is, if you ever think, you apes, which I doubt.

I want more of this feeling - fire and wings.

What you take to be hyprocrisy is sometimes a certain caution, sometimes genuine, though ponderous, childish, sometimes a mixture of both.

No past to make us sentimental, no future to embarrass us...a difficult moment when you are out of practice - a moment that makes you go cold, cold and wary.

Today I must be very careful, today I have left my armor at home.

There are always two deaths, the real one and the one people know about.

Sometimes the Earth trembles; sometimes you can feel it breathe.

She’ll have no lover, for I don’t want her and she’ll see no other.

Even the one moment that you thought was your eternity fades out and is forgotten and dies.

The last time you were happy about nothing; the first time you were afraid about nothing. Which came first?

Stephan was secretive and a liar, but he was a very gentle and expert lover. She was the petted, cherished child, the desired mistress, the worshipped, perfumed goddess. She was all these things to Stephan - or so he made her believe.

Every word I say has chains round its ankles; every thought I think is weighted with heavy weights.

When he talked his eyes went away from mine and then he forced himself to look straight at me and he began to explain and I knew that he felt very strange with me and that he hated me, and it was funny sitting there and talking like that, knowing he hated me.

Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.

I watched her die many times. In my way, not in hers. In sunlight, in shadow, by moonlight, by candlelight. In the long afternoons when the house was empty. Only the sun was there to keep us company. We shut him out. And why not? Very soon she was as eager for what's called loving as I was - more lost and drowned afterwards.

that expression you get in your eyes when you are very tired and everything is like a dream and you are starting to know what things are like underneath what people say they are.

He had discovered that people who allow themselves to be blown about by the winds of emotion and impulse are always unhappy people.

I long to be ... Like Other People! The extraordinary, ungetatable, oddly cruel Other People, with their way of wantonly hurting and then accusing you of being thin-skinned, sulky, vindictive or ridiculous.

Human beings are struggling, and so they are egoists. But it's wrong to say that they are wholy cruel - it's a deformed view.

I'm no use to anybody,' I say. 'I'm a cérébrale, can't you see that?' Thinking how funny a book would be, called 'Just a Cérébrale or You Can't Stop Me From Dreaming'. Only, of course, to be accepted as authentic, to carry any conviction, it would have to be written by a man. What a pity, what a pity!

very few people change after well say seven or seventeen. Not really. They get more this or more that and of course look a bit different. But inside they are the same.

I found when I was a child that if I put the hurt into words, it would go.

One realized all sorts of things. The value of an illusion, for instance, and that the shadow can be more important than the substance. All sorts of things.

I often want to cry. That is the only advantage women have over men — at least they can cry.

I am the only real truth I know.

Only the magic and the dream are true — all the rest's a lie.

I am sad, sad as a circus-lioness.

I think that the desire to be cruel and to hurt (with words because any other way might be dangerous to ourself) is part of human nature. Parties are battles (most parties), a conversation is a duel (often). Everybody's trying to hurt first, to get in the dig that will make him or her feel superior, feel triumph.

Life if curious when reduced to its essentials

Cold - cold as truth, cold as life. No, nothing can be as cold as life.

Something in her brain that still remained calm told her that she was doing a very foolish thing indeed.

London is like a cold dark dream sometimes.

As soon as I turned the key I saw it hanging, the color of fire and sunset. the colour of flamboyant flowers. ‘If you are buried under a flamboyant tree, ‘ I said, ‘your soul is lifted up when it flowers. Everyone wants that.’ She shook her head but she did not move or touch me.

It was the darkness that got you. It was heavy darkness, greasy and compelling. It made walls round you, and shut you in so that you felt like you could not breathe.

But why do you want to talk to me?' He is going to say: 'Because you look so kind,' or 'Because you look so beautiful and kind,' or, subtly, 'Because you look as if you'll understand....' He says: 'Because I think you won't betray me.' I had meant to get this mean to talk to me and tell me all about it, and then be so devastatingly English that perhaps I should manage to hurt him a little in return for all the many times I've been hurt.... 'Because I think you won't betray me, because I think you won't betray me....' Now it won't be so easy.

It's funny, he said, have you ever thought that a girl's clothes cost more than the girl inside them?

And then the days came when I was alone.

Everything tender and melancholy - as life is sometimes, just for one moment.

I would never be part of anything. I would never really belong anywhere, and I knew it, and all my life would be the same, trying to belong, and failing. Always something would go wrong. I am a stranger and I always will be, and after all I didn’t really care.

Soon he'll come in again and kiss me, but differently. He'll be different and so I'll be different. It'll be different. I thought, 'It'll be different, different. It must be different.

If she says goodbye perhaps adieu. Adieu - like those old time songs she sang. Always adieu (and all songs say it). If she too says it, or weeps, I'll take her in my arms, my lunatic. She's mad but mine, mine. What will I care for gods or devils or for Fate itself. If she smiles or weeps or both. For me.

I have been here five days. I have decided on a place to eat in at midday, a place to eat in at night, a place to have my drink in after dinner. I have arranged my little life.

Love was a terrible thing. You poisoned it and stabbed at it and knocked it down into the mud - well down - and it got up and staggered on, bleeding and muddy and awful. Like - like Rasputin.

Now at last I know why I was brought here and what I have to do.

The perpetual hunger to be beautiful and that thirst to be loved which is the real curse of Eve.

Would you like a whiskey?' I say. 'I've got some.' (That's original. I bet nobody's ever thought of that way of bridging the gap before.)

It was like letting go and falling back into water and seeing yourself grinning up through the water, your face like a mask, and seeing the bubbles coming up as if you were trying to speak from under the water. And how do you know what it's like to try to speak from under water when you're drowned?

They say when trouble comes close ranks, and so the white people did.

When I think about it, if I had to choose, I'd rather be happy than write.

There is always the other side, always.

Quite like old times,' the room says.

I hated the mountains and the hills, the rivers and the rain. I hated the sunsets of whatever colour, I hated its beauty and its magic and the secret I would never know. I hated its indifference and the cruelty which was part of its loveliness. Above all I hated her. For she belonged to the magic and the loveliness. She had left me thirsty and all my life would be thirst and longing for what I had lost before I found it.

Have all beautiful things sad destinies?

Now I no longer wish to be loved, beautiful, happy or successful. I want one thing and one thing only - to be left alone.

Of course she had some pathetic illusions about herself or she would not be able to go on living.

I like shape very much. A novel has to have shape, and life doesn't have any.

The rumble of the life outside was like the sound of the sea which was rising gradually around her.

Your red dress,’ she said, and laughed. But I looked at the dress on the floor and it was as if the fire had spread across the room. It was beautiful and it reminded me of something I must do. I will remember I thought. I will remember quite soon now.

We can't all be happy, we can't all be rich, we can't all be lucky - and it would be so much less fun if we were... There must be the dark background to show up the bright colours.

I have arranged my little life.

...morbidly, attracted him to strangeness, to recklessnesss, even unhappiness.

It's so easy to make a person who hasn't got anything seem wrong.

The musty smell, the bugs, the lonliness, this room, which is part of the street outside-this is all I want from life.

As it was in the beginning, ... is now, and ever shall be, world without end.

I am empty of everything. I am empty of everything but the thin, frail ghosts in my room.

Something came out from my heart into my throat and then into my eyes.

A room is, after all, a place where you hide from the wolves. That's all any room is.

She had left me thirsty and all my life would be thirst and longing for what I had lost before I found it.

I hadn't bargained for this. I didn't think it would be like this - shabby clothes, worn-out shoes, circles under your eyes, your hair getting straight and lanky, the way people look at you. ... I didn't think it would be like this

Age seldom arrives smoothly or quickly. It's more often a succession of jerks.

If all good, respectable people had one face, I'd spit in it.

A room? A nice room? A beautiful room? A beautiful room with bath? Swing high, swing low, swing to and fro...This happened and that happened... And then the days came and I was alone.

For the first time she had dimly realized that only the hopeless are starkly sincere and that only the unhappy can either give or take sympathy--even some of the bitter and dangerous voluptuousness of misery.

Author details

Jean Rhys: Biography and Life Work

Jean Rhys was a notable Novelist. The story of Jean Rhys began on 24 August 1890 in Roseau, Grand Bay. The legacy of Jean Rhys continues today, following their passing on 14 May 1979 in Exeter, Devon, England.

Jean Rhys CBE was a British Creole novelist who was born and grew up in the Caribbean island of Dominica . From the age of 16, she resided mainly in England, where she was sent for her education. She is best known for her final novel, Wide Sargasso Sea (1966), written as a prequel to Charlotte Brontë 's Jane Eyre .

Legacy and Personal Influence

Personally, Jean Rhys was married to Jean Lenglet (divorced), Leslie Tilden-Smith, Max Hamer.

Philosophical Views and Reflections

"Much that has been published about Rhys since her spectacular resurrection tends to treat her not as a conscious artist but as simply the desperate, suffering woman depicted in her novels. Because the tone of her fiction is that of someone simply talking to the reader—or railing at the reader, or crying out to the reader—people have tended to treat her as a naïf, a sort of primitive with an uncanny knack for self-expression. Nothing could be further from the truth. "—Biographer Evelyn Toynton in The American Scholar (Spring 1992)

Rhys's collected papers and ephemera are housed in the University of Tulsa 's Mc Farlin Library. The British Library acquired a selection of Jean Rhys Papers in 1972, including drafts of short stories, novels; After Leaving Mr. Mackenzie , Voyage in the Dark , and Wide Sargasso Sea , and an unpublished play entitled English Harbour . Research material relating to Jean Rhys can also be found in the Archive of Margaret Ramsey Ltd at the British Library relating to stage and film rights for adaptations to her work. The British Library also holds correspondence between Jean Rhys and Patrick Garland relating to his adaptation of "I Spy a Stranger" and about Quartet .

EQ
Empery Quotes
Inspire · Reflect · Repeat