E. l. doctorow quotes

A new reader shouldn't be able to find you in your work, though someone who's read more may begin to.

I have committed many sins in my life. This precise sin-the sin against poets-is without absolution.

A novelist is a person who lives in other people's skins.

And so the ordinary unendurable torments we all experienced were indeed exceptional in the way they were absorbed in each heart.

Children have a lot more to worry about from the parents who raised them than from the books they read.

Facts are the images of history, just as images are the facts of fiction.

Writing is a socially acceptable form of schizophrenia.

Every major work of art is a transgression, but the artist is not necessarily, by nature, a transgressor.

Whenever citizens are seen routinely as enemies of their own government, writers are rountinely seen to be the most dangerous enemies.

Planning to write is not writing.

Movies are too literal.

Communists have no respect for people, only for positions.

We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.

A novel is a printed circuit through which flows the force of a reader's own life.

I thought I would lose, so I didn't prepare a speech.

I knew he was unreliable, but he was fun to be with. He was a child’s ideal companion, full of surprises and happy animal energy. He enjoyed food and drink. He liked to try new things. He brought home coconuts, papayas, mangoes, and urged them on our reluctant conservative selves. On Sundays he liked to discover new places, take us on endless bus or trolley rides to some new park or beach he knew about. He always counseled daring, in whatever situation, the courage to test the unknown, an instruction that was thematically in opposition to my mother’s.

Someone dying asks if there is life after death. Yes, comes the answer, only not yours.

It is the immigrant hordes who keep this country alive, the waves of them arriving year after year.... Who believes in America more than the people who run down the gangplank and kiss the ground?

I did have a feeling then that the culture of factuality was so dominating that storytelling had lost all its authority.

I am led to the proposition that there is no fiction or nonfiction as we commonly understand the distinction: there is only narrative.

Writing is immensely difficult. The short forms especially.

The voice of the Constitution is the inescapably solemn self-consciousness of the people giving the law unto themselves.

We are able to walk on air, but only as long as our illusion supports us.

When you're working well, you don't do research. Whatever you need comes to you.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair' as with all of them. The inventions of the book come as discoveries.

Banks and churches and courtrooms all depend on the appurtenances of theatre. On illusion. Banks, the illusion of stability and honourable dealings to the rot and corruption of capitalist exploitation. Churches the illusion of sacred sanctuary of purposes of pacifying social discontent. Courtrooms of course designed to promote the illusion of solemn justice. If there was true justice why would such trappings be necessary? Wouldn't a table and chairs and an ordinary room serve just as well?

Time seems to me a drift, a shifting of sand. And my mind is shifting with it. I am wearing away.

Implications of treason are fed like cubes of sugar to the twelve-headed animal which is justice. In ... opening remarks. In the way questions are asked. In support of lines of questioning where cases of treason are cited and the Judge endorses the relevance of the citation.

And so do people pass out of one's life and all you can remember of them is their humanity, a poor fitful thing of no dominion, like your own.

We make a mistake to condescend to the past as if it were preparatory to our own time.

I am telling you what I know—words have music and if you are a musician you will write to hear them.

When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.

I worry about images. Images are what things mean.

A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.

There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.

We dress them [children] in the presumptions of the world. They are the bright small face of hope. They are the last belief we have, the belief in making them believe.

All over the world today, not just in the totalitarian countries, assiduous functionaries in Ministries of Truth are clubbing history dumb and rendering language insensible.

Like art and politics, gangsterism is a very important avenue of assimilation into society.

I can walk into a bookstore and hand over my credit card and they don't know who the hell I am. Maybe that says something about bookstore clerks.

It proposed that human beings, by the act of making witness, warranted times and places for their existence other than the time and place they were living through.

Writing is an exploration. You start from nothing and learn as you go.

Dad is always hiding in his book.

We are all good friends. Friendship is what endures. Shared ideals, respect for the whole character of a human being.

The difference between Socrates and Jesus is that no one had ever been put to death in Socrates' name. And that is because Socrates' ideas were never made law. Law, in whatever name, protects privilege.

There is music in words, and it can be heard you know, by thinking.

Things that appear on the front page of the newspaper as 'fact' are far more dangerous than the games played by a novelist, and can lead to wars.

Stories distribute the suffering so that it can be borne.

The images of things are not the things in themselves.

The historian will tell you what happened. The novelist will tell you what it felt like.

Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

History is the present. That's why every generation writes it anew. But what most people think of as history is its end product, myth.

Leo Crowley, Harry [Truman]'s Foreign Economic Administrator, tells Congressmen the theory...: 'If you create good governments in foreign countries, automatically you will have better markets for ourselves.' With that honeycunt staring you in the face, you'd forget your grammar too.

Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.

Because like all whores you value propriety. You are creature of capitalism, the ethics of which are so totally corrupt and hypocritical that your beauty is no more than the beauty of gold, which is to say false and cold and useless.

If you feel a bump on page one hundred, it may be you went off on page fifty.

I've known several cases of writers who decide to write about something and they research the hell out of it and when they're ready to write, they can't move because they are so burdened. I start writing. Whatever I need somehow comes to hand.

The writer isn't made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.

I lived in New York for a couple months. It seemed to me at first an incredibly clean place with well-dressed people and washed cars and bright-painted red-and-yellow streetcars and white buildings.

The three most important documents a free society gives are a birth certificate, a passport, and a library card.

The act of composition is a series of discoveries.

I thought of myself as a writer for years before I got around to writing anything.

Anyone at any age is able to tell the story of his or her life with authority.

So that individuation may be compared to a pyramid in that it is only achieved by the placement of the top stone… The Jews, Ford said. They ain't like anyone else I know. There goes you theory up shits creek. He smiled.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.

I am often asked the question How can the masses permit themselves to be exploited by the few. The answer is By being persuaded to identify with them.

The poem is a cry of the unborn heart. Yes, because the poem perfectly embodies the world, there is no world without poem.

You can't remember sex. You can remember the fact of it, and recall the setting, and even the details, but the sex of the sex cannot be remembered, the substantive truth of it, it is by nature self-erasing, you can remember its anatomy and be left with a judgment as to the degree of your liking of it, but whatever it is as a splurge of being, as a loss, as a charge of the conviction of love stopping your heart like your execution, there is no memory of it in the brain, only the deduction that it happened and that time passed, leaving you with a silhouette that you want to fill in again.

There is no longer any such thing as fiction or nonfiction; there's only narrative.

I've always felt, as a writer, that radicals are fascinating because they're relations, they have a place in the American family. They're the relatives everyone wishes would go away. They're the embarrassments to decorum and good taste.

Congress is so beholden to the money that any solution in the general interest will be frustrated and subverted by the corporate interests who feel they will be damaged by progress, fair play and justice.

I have been everywhere because I don't know what I'm looking for.

Images break with a small ping, their destruction is as wonderful as their being, they are essentially instruments of torture exploding through the individual's calloused capacity to feel undifferentiated emotions full of longing and dissatisfaction and monumentality.

Satire's nature is to be one-sided, contemptuous of ambiguity, and so unfairly selective as to find in the purity of ridicule an inarguable moral truth.

It was evident to him that the world composed and recomposed itself constantly in an endless process of dissatisfaction.

Poems have ideas. The ideas of poems come out of their emotions and their emotions are carried on images.

What we call fiction is the ancient way of knowing, the total discourse that antedates all the special vocabularies....Fiction is democratic, it reasserts the authority of the single mind to make and remake the world.

Most people are quiet in the world, and live in it tentatively, as if it were not their own.

Uncharged with invisible meaning, the visible is nothing, mere clay; and without visible circumstance, a territory, to connect to, our spirit is shapeless, nameless, and undefined.

Longing, the hope for fulfillment, is the one unwavering passion of the world's commerce.

The theory of the teacher with all these immigrant kids was that if you spoke English loudly enough they would eventually understand.

The music of the Stones pounds the air like the amplified pulse of my erection.

I try to avoid experience if I can. Most experience is bad.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing - none of that is writing. Writing is writing. Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

I like commas. I detest semi-colons — I don’t think they belong in a story. And I gave up quotation marks long ago. I found I didn’t need them, they were fly-specks on the page.

It may be that the most avid readers of new fiction in America today are film producers, an indication of the trouble were in.

The theory for admitting accomplice testimony that is uncorroborated is that conspiracy is by its nature secretive and that only the parties to it can know it occurred. But in practice this means the accomplice's guilt is modified to the degree that he can convict the defendant.

Writing a novel is like driving a car at night. Sometimes you run over a drunk who's lain down and fallen asleep on the warm pavement. I mean, do you keep going, or what?

Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.

There are moments when I cannot bear this unremitting consciousness. It knows only itself. Awake, I am in a continuum with my dreams. I feel my typewriters, my table, my chair to have that assurance of a solid world, where things take up space, where is not the endless emptiness of insubstantial thought that leads to nowhere but itself. My memories pale as I prevail upon them again and again. They become more and more ghostly. I fear nothing so much as losing them altogether and having only my blank endless mind to live in.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.

The philosophical conservative is someone willing to pay the price of other people s suffering for his principles.

A book begins as a private excitement of the mind.

A writer of books has to admit that film is the enemy, and that in my case I have been sleeping with the enemy.

In the twentieth century one of the most personal relationships to have developed is that of the person and the state. It's become a fact of life that governments have become very intimate with people, most always to their detriment.

The Shadow had no imagination. He neither looked at naked women nor thought of ridding the world of dictators like Hitler or Mussolini.

An Animated Cartoon Theology: 1. People are animals. 2. The body is mortal and subject to incredible pain. 3. Life is antagonistic to the living. 4. The flesh can be sawed, crushed, frozen, stretched, burned, bombed, and plucked for music. 5. The dumb are abused by the smart and the smart destroyed by their own cunning. 6. The small are tortured by the large and the large destroyed by their own momentum. 7. We are able to walk on air, but only as long as our illusion supports us.

My memories pale as I prevail upon them again and again. They become more and more ghostly. I fear nothing so much as losing them altogether and having only my blank endless mind to live in.

And though the newspapers called the shooting the Crime of the Century, Goldman knew it was only 1906 and there were ninety-four years to go.