Adolf loos

If nothing were left of an extinct race but a single button, I would be able to infer, form the shape of that button, how these people dressed, built their houses, how they lived, what was their religion, their art, their mentality.

Be truthful. Nature only sides with truth.

The house has to serve comfort. The work of art is revolutionary; the house is conservative.

Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.

The work of art shows people new directions and thinks of the future. The house thinks of the present.

The Potemkin city of which I wish to speak here is none other than our dear Vienna herself.

Be not afraid of being called un-fashionable.

Lack of ornamentation is a sign of spiritual strength.

Supply and demand regulate architectural form.

I have emerged victorious from my thirty years of struggle. I have freed mankind from superfluous ornament.

The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.

Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art.

Changes in the traditional way of building are only permitted if they are an improvement. Otherwise stay with what is traditional, for truth, even if it be hundreds of years old has a stronger inner bond with us than the lie that walks by our side.

The house has to please everyone, contrary to the work of art which does not. The work is a private matter for the artist. The house is not.

The law courts must appear as a threatening gesture toward secret vice. The bank must declare: here your money is secure and well looked after by honest people.

The room has to be comfortable; the house has to look habitable.

Tattooed men who are not behind bars are either latent criminals or degenerate aristocrats. If someone who is tattooed dies in freedom, then he does so a few years before he would have committed murder.

All art is erotic. The first ornament to have been invented, the cross, was of erotic origin. It was the first work of art. A horizontal stroke: the woman lying down. A vertical stroke: the male who penetrates her.

Author details

Adolf Loos: Biography and Life Work

Adolf Loos was a notable Architect. The story of Adolf Loos began on 10 December 1870 in Brno, Austria-Hungary. The legacy of Adolf Loos continues today, following their passing on 23 August 1933 in Vienna, Austria.

Adolf Franz Karl Viktor Maria Loos ( German: ; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, polemicist of modern architecture . He was inspired by modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism .

Philosophical Views and Reflections

Inspired by his years in the New World , Loos devoted himself to architecture. After briefly associating himself with the Vienna Secession in 1896, he rejected the style and advocated a new, plain, unadorned architecture. A utilitarian approach to use the entire floor plan completed his concept. Loos's early commissions consisted of interior designs for shops and cafés in Vienna.

Through his writings and his groundbreaking projects in Vienna, Loos was able to influence other architects and designers, and the early development of Modernism. His careful selection of materials, passion for craftsmanship and use of 'Raumplan'—the considered ordering and size of interior spaces based on function—are still admired.

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